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  • Plate XVI · section 05 of 21

    Damascus, Cairo, Algiers: water, smoke and the storyteller

    Hand-colored lithograph showing a coffee stall in Cairo: under a carved wooden awning, men seated on stone benches smoke and drink, while passersby and pack animals move through the alley.
    A coffee shop in CairoLouis Haghe after David Roberts; Wellcome Collection, London · CC BY 4.0

    Ordering in 1922

    CityWhat is saidWhat arrives
    Constantinoplewith or without sugarboiled three times, glass of water first
    Viennamélange2/3 coffee, 1/3 hot milk, whipped cream
    Viennabrauner / schwarzerdarker / without milk
    Pariscafé crèmetable brushed twice
    Pariscafé complettable brushed three times, bread and butter
    Pariscafé gloriablack coffee and cognac in equal parts
    Parismazagranlengthened cold coffee, in a large glass
    Athenswith kaimakifroth shared in equal parts
    Londona dish of coffee1 to 2 pence, newspapers included
    Rioycafezinhoyou pull a cup, the waiter fills it
    Ukers 1922, ch. XXXV, p. 655-694

    The most precise text Ukers reproduces was written in 1836, to accompany a plate by Bartlett and Purser. Ukers notes that it could have been written in 1922, so little had the setting changed. The reference is the coffeehouse that Shemsi had brought from Damascus to Constantinople in 1554.

    The Damascus coffeehouses are built on the river itself, the Barada. A light roof rests on slender pillars. The wooden floor is watered and raised a few inches above the current: the water thus flows under the drinkers' feet.

    The seats are small, and everyone places his own where he wants. Nothing is set against the wall, unlike the benches of the coffeehouses of Constantinople. The customer composes his place himself. The cup of Mocha, for its part, arrives as soon as the stranger is seated, without his having to ask for anything.

    Two phrases from this text became famous. The first: “The Turk has his opera, his theater, his conversazione there.” The second: “Mohammed made a grave mistake in omitting coffeehouses from the next world.”

    Ukers 1922, ch. XXXV, commentary on the plate by Bartlett and Purser (1836)

    In Cairo, Ukers takes as his document Gérôme's painting kept at the Metropolitan Museum: two men prepare the drink near a hearth, a dervish dances. The preparation is modified Turkish-Arab, powdered coffee boiled in an ibrik with sugar. Coffee accompanies every commercial transaction, and Arab barber shops have served coffee, tobacco and sweets for centuries.

    Ukers 1922, ch. XXXV

    In Algiers, Rousseau and Roland de Bussy describe the typical interior, and it comes down to a short inventory. A narrow, deep cellar. Two benches covered with mats. Chipped cups, tongs, a box of brown sugar, a small stove. Nothing else.

    It is the clearest illustration of what has just been said: the coffeehouse has no architecture, it has a hearth and somewhere to sit.

    Algeria nevertheless gave a word to the vocabulary of coffee. The mazagran is sweetened cold coffee, lengthened with water or ice. Its name is said to come from the fort of Mazagran, kept by France under the Treaty of the Tafna in 1837.

    The fashion has its opponents. Jardin condemns it flatly: “This way of serving coffee in glasses has no reason to exist.”

    Ukers 1922, ch. XXXV, citing Antoine Rousseau, Th. Roland de Bussy and Jardin
    © 2026 Marco De Sousa Rosa · PXL RoastersTexts under CC BY-NC-SA 4.0 · tools: all rights reserved · images: see the provenanceHome · Colophon · Site map